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Final Cut Pro X

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The iPhone4S Conundrum: iCloud and Final Cut Pro Conflicts

Yes…all of us Apple devices addicts, we are excited about the iPhone4S release. I have already pre-ordered my new little device…I am a gadget freak. I think I am going to give Sarah (the wife) my iPhone4. I ordered the white version so we can distinguish the two. But, here is where Apple has me pinned…and what makes Steve Jobs a brilliant business man and entrepreneur.

My iPhone4S probably, maybe will not integrate with my Contacts and Final Cut Pro workflow. You are saying what? Well, if you are a video professional like me, you will read more!

So here are the Apple Products I use:
1) MacBook Pro 15″ purchased this summer (2011) with Snow Leopard (10.6.8)
2) MacPro from 2009 with Snow Leopard (10.6.8)
3) iPhone4
4) iPad 3G (First Generation)
5) Final Cut Pro 6.0.6
6) MobileMe (Sync Contacts & Other Preferences)

So the two things that are messing me up with this new upgrade to the iPhone4S, the fact it will be delivered the same day the iCloud product is released, which will also replace my MobileMe account. In order to use iCloud, the service that will now replace MobileMe account which syncs my contacts between devices…I have to use the new operating system on my Mac Computers, know as Lion (10.7). Yes…I would have to upgrade my operating systems on both computers if I want my contacts to sync between devices using my Address Book app on these devices…Apple’s preferred and default application for contacts.

To most of you…that is a no brainer! Just upgrade and be done with it. Right? NO!

I also use FinalCut Pro 6.0.6 which can only run on the operating system Snow Leopard (10.6.8) and all subsequent operating systems. This is a big deal. Apple has released the new Final Cut X for the new operating system Lion (10.7). BUT, it is 1/4th the original price and is not a professional grade video editing system (NLE).  I cannot up-convert years and years….thousands and thousands of dollars of production to the new Final Cut X. Many think this is Apple’s push to get out of the professional editing business and focus on the pro-sumer and consumer. If you want to read the detailed review of Final Cut Pro X…here is a GREAT REVIEW! CLICK HERE to read why upgrading to Final Cut X is not a solution to professionals like me.

Now I also edit using Avid Media Composer for heavy compositing and 3D editing…but not for basic video workflows. Plus, we are waiting for Avid to release the new Avid Media Composer for Lion (10.7). It takes a while for this high end, hollywood video editing solution to test and release the newest version. They are waiting for the quarks in Lion (10.7) to get worked out.

So…for those video professionals who want a iPhone4S, use FinalCut Pro 6.0.6 (professional standard), and sync contacts in Address Book…here is what I have found as a solution:

1) Apple is apparently going to release a new Snow Leopard update (10.6.9) which will integrate with iCloud, so we can utilize the limited capabilities of syncing between devices.
2) Run a dual-boot system where you partition your Mac’s to run:
– Partition One – Lion (10.7) for basic computer solutions and syncing with iCloud
– Partition Two – Snow Leopard (10.6.x) for video editing solutions with FinalCut Pro or Avid products.

Here is an an article showing how some believe there is a Snow Leopard 10.6.9 update on the way that will integrate with iCloud: CLICK HERE for the article.



So…I am in limbo. Yes…waiting for October 14th. This is the day when my new iPhone4S should arrive, the day iCloud should be released, and hopefully the day when the new Snow Leopard (10.6.9) should be released. We will see. I have some serious decisions to make based on the events of the next week for business workflow and video production workflow.

OK…for all you Droid people out there who are saying the “open” platform…I hear ya. I do run my business off Google Apps including business class email, documents, and calendars. BUT, I do not really like the Droid based products and the platform. Plus…there are many articles this is not really an open platform. To me, the Android user interface is not for me and not what I consider intuitive for my needs. Plus…I have way too much money invested in my current workflow and technology.

So why does this conundrum make Steve Jobs and Apple such a wonderful brand story? Because, their business practices have me in this dedicated conundrum and internal debate. Because…I love the products, willing to pay for the technology, and find enough value in the Apple solutions to research how to make these products work for me. That is why millions of other production professionals like me will continue to invest in these products. We want the newest Apple gadget and willing to pay the financial price and the integration issues to have these gadgets.

Let the waiting game begin…off to the Apple Forums and discussion boards.

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Is video tape media really dead? Is SD media cost effective? [techy blog post]

With the announcement of the new Final Cut Pro X and other Non-Linear Editors (NLE) like Avid Media Composer moving more consumers into the pro-sumer market…the question begs an answer: is tape media dead? Outside of more consumers using non-video tape recording cameras, more and more pro-sumers and professionals are moving from tape media to SD media.

In a recent review by USA Today of the new Sony NX5U along with the emergence of using Digital SLRS to acquire video images…the claim is that video tape is dead. It is in the first line of this article: “Review: Sony NX5U video camera”. Jefferson Graham states, “The big takeaway from this week’s overhaul of Apple’s Final Cut Pro video editing software is that tape-based media is dead.”

Well here are my thoughts?

Storage costs money! Yes! Higher Definition images need more space to store these images! It all comes down to work flow…what do I mean, well we will address that in a second.

Traditional image acquisition in the video production world use video tape to record the image captured by the lens and processed by the camera. Once recorded on the tape, it would take equal amount of time to play and “ingest” into a computer’s non-linear editing suite (like Final Cut Pro, Avid Media Composer & Adrenaline, Adobe Premiere, etc.). Basically, if you recorded an hour’s worth of video, it would take an hour to put it into the computer.

With solid state media, video cameras are able to record the image as a file. The better the image, the better the camera, the larger the files sizes. Instead of just playing the video back for the computer editing suite during “ingest”, you could just transfer the file, the same process typically as copying any other file from a thumb drive to your computer. This cuts down time in the production process, huge amounts of time. BUT!!! Once you transfer the files to the computer, you can erase the media in the camera and reuse for the next production.

When you use video tape, many production shops do not erase the original tape and save just in-case the original video information needs to be accessed. More video tape means more money. Thus, the transition to cameras that do not use video tape, it appears to cut down on cost.

BUT…here is the thing that keeps me still acquiring on video tape and recordable media like SD cards simultaneously. Once you put the video from a camera that records it without video tape into the computer, you have to save the original media somewhere. It requires hard drives to store this original media…because you erased it from the camera and it is not on an original video tape.

So…for the production house and the consumer, you have to find a place to store this original video media. For a production house…this turns into Terabytes and Terabytes of storage of this original footage. Now this storage costs can be passed off to the client…but it takes space. Bigger and bigger storage servers…and if you are storing on servers that use hard drives with moving parts, they can fail. Yes, you can RAID these drives…but I have met more and more and more major universities, production houses, etc. where the RAID’s fail and the original media is GONE!

Yes…I was at a major university that lost a whole season of football footage to a failed RAID system. Those hard drives are moving parts. Yes…there is solid state storage but it so damn expensive, it is hard to justify the costs with the new technology.

Avid’s NLE’s allow you to erase media that is unused in the editing process, but keep the parts of video production used in the final product. BUT…what if you want to re-access that un-used media for  another project?

Here is what I do…my current solution.

1. I use a camera that can record on video tape and solid state storage simultaneously. The video tape is there just in-case the solid state media fails. It has happened before during my ingest. I have lost a whole day of shooting on an SD Card, but had the tape as a back-up. If not, it would have cost me time and money.

2. I ingest into the computer using Final Cut Pro with the solid state media card. Why, because it converts to a Quicktime (.MOV) that is widely excepted by most major NLE’s. I can also ingest 83 minutes of HDV in 7 minutes compared to the 87 minutes it would take for me to play that tape into the computer. Then…if I want to edit in Final Cut Pro or Avid…I have the original raw media digitally. (Avid has to convert the files to their proprietary codec)

3. I save the original HDV video tape as a back-up…properly labeled. So, if I loose the raw media on the hard drive, I can open the project and use the tapes to re-ingest the media.

4. I save the project files from both Final Cut Pro and Avid Media Composer in two other spots outside of the edit suite: a back-up storage drive and my online back-up space in the cloud. So, if I loose everything digitally, I have the original project files in two places and I can pull the tapes out to re-ingest the media.

5. I back-up my raw media files of the current years’ productions at a un-disclosed storage facility on consistent basis. This allows me to save time if my systems go down…just go get the media and transfer the files.

Why do I do this…because I do not trust moving parts in hard drives. I have had more NLE systems and their hard drives fail with media. I have watched major broadcasting units not be able to put on a show because files got corrupted with lost media. Tape is a physical media that provides a great back-up solution for original media.

Now, this is not always going to be a great solution long-term…but I am researching and working with partners on solutions that will provide me and my clients a great solution.

* Image Credit: Westside Media Group & Ken Rockwell